Dr. 艾米•里德

Professor of 法国语言文学

性别研究主任

法国语言文学 | 性别研究 | 文学 | 人文学科 | International 和 Area Studies | 戏剧、舞蹈 & 性能的研究

教育

M.A., Ph.D., Yale University; 1989 & 1996
A.B., Colgate University; 1986

Professor Reid offers courses 和 tutorials on a wide range of topics in French 和 francophone literature: from the Renaissance through the 19 century, as well as contemporary drama 和 francophone writing from Québec, the Caribbean 和 Africa; most of her seminars are cross-listed in 性别研究 or eligible for GS credit. In addition, she teaches courses at all levels of French language 和 tutorials on translation. She as a core member of the 性别研究 Program 和 currently director of the GSP (she was the program’s first director from 2006-2012), she also offers tutorials on women’s writing 和 feminist theory. She has served on the executive board of the American Council for 魁北克研究 (from 2009-2021), elected vice president (2010-2011) 和 president (2012-13), 和 served as Associate Editor for Book Reviews of the journal 魁北克研究 (2018-2021).

The focus of her research is on translation. She has worked extensively with authors from Cameroon, Côte d’Ivoire, Congo-RDC, 和 Haiti. She has two translations forthcoming in 2022: 螃蟹的踪迹 歌曲(最为, 2022), the final volume of 帕特里斯Nganang’s trilogy about Cameroonian independence, 后 愉快的山  (FSG, 2016) 当李子成熟的时候 (FSG, 2019); 和 这个失策 (Amazon Crossing, 2022), a translation of Mutt-Lon’s 巴菲亚大街700号. Previous translations include: Nganang’s 三伏天；大热天 (UVA / CARAF, 2006), Queen Pokou: Concerto for a Sacrifice (Ayebia Clarke, 2010)和 远离我的父 (UVA/CARAF, 2014), both by Véronique Tadjo, as well as essays 和 short stories. Her publications also include articles on: French Naturalism, in particular works by J.-K. Huysmans 和 the Goncourts; on the Québécoise authors Anne Hébert, Marie-Celie Agnant, 和 Kim Thúy; 和 on recent fiction from Africa by 帕特里斯Nganang 和 Véronique Tadjo.

最近的课程

Women Writing of/from Africa: Feminist Truths, Feminist Fictions
‘Black Orpheus’ at the Turn of the 21st century: Novels 和 Short Stories from Francophone Africa
Literary Movements of 19th-century France
Performances of Gender: Readings in 19th-century French fiction
Francophone 文学s of the Americas: Giving Voice to Identity
On Stage in Paris 和 Montréal: Contemporary Francophone Theatre
中级法语一级 & II
高级法语I & II

最近的出版物

翻译

艾米·里德. & Mutt-Lon. 这个失策 [巴菲亚大街700号 (Paris: Émanuelle Collas, 2020)]. 华盛顿州西雅图:亚马逊十字路口. 即将于2022年推出.

艾米·里德. & 帕特里斯Nganang. 一串螃蟹的足迹 [Empreintes de Crabe (巴黎:菲利普·雷伊，2018)]. New York: Farrar, Straus 和 Giroux. 即将于2022年推出.

艾米·里德. & 帕特里斯·恩加南(2019).当李子成熟的时候 [西梅季 (巴黎:菲利普·雷伊，2013)]. 帕特里斯Nganang. New York: Farrar, Straus 和 Giroux.

艾米·里德. & 帕特里斯·恩加南(2016). 愉快的山 [蒙特Plaisant (巴黎:菲利普·雷伊，2011)]. New York: Farrar, Straus 和 Giroux.

“Manifesto against the presidency for life in Africa.” Tierno Monénembo, Véronique Tadjo, 和 Eugène Ébodé. The manifesto was published in multiple locations in French 和 in English, including the 邮件 & 《新博网页》, South Africa, September 17, 2020. http://mg.co.za/africa/2020-09-17-manifesto-against-the-presidency-for-life-in-africa/

“In Defense of the Anglophones.帕特里斯Nganang说. An essay written in December 2017, when Nganang was held as a political prisoner in Cameroon. 2018年1月发布. http://africasacountry.com/2018/02/in-defense-of-the-anglophones

《新博网页》.帕特里斯Nganang说. An essay written in December 2017, when Nganang was held as a political prisoner in Cameroon. 2018年1月发布. http://nganang.com/blog/the-dawn-of-a-new-republic/

艾米·里德. & (2014年). 远离我的父 [Loin de mon père (《新博网址是多少》，2010)]. Charlottesville, University of Virginia Press/CARAF.

艾米·里德. & (2010). Queen Pokou : Concerto for a Sacrifice [Reine Pokou: Concerto pour un sacrifice]. Ayebia-Clarke Press, Oxford, UK.

艾米·里德. & 帕特里斯Nganang. (2010) “The Invisible Republic” [“La République invisible”]. 华盛顿广场，夏秋2010:137-146.

艾米·里德., & 帕特里斯·恩加南(2006). 三伏天；大热天 : An Animal Chronicle [Temps de Chien]. Charlottesville: University of Virginia Press/CARAF.

论文(选择)

艾米·里德. “Keeping Secrets: Kim Thúy’s Representation of Vietnamese Foodways,” in Reading Kim Thúy: A Critical Anthology. Ed. Miléna Santoro 和 Jack Yeager. Forthcoming from McGill-Queen’s UP, 2022.

艾米·里德. “When the Storyteller Speaks: The Voice of the Conteuse in Loin de mon père, by Véronique Tadjo.” Écrire, traduire, peindre : Véronique Tadjo : Writing, Translating, Painting. Ed. Sarah Davies Cordova 和 Désiré Kabwe-Segatti. Paris : Les Cahiers de Présence Africaine, 2016 : 285-299.

艾米·里德. “Véronique Tadjo et la traduction: une table ronde” avec Amy B. Reid, Peter Thompson, Christopher Fotheringham, 和 Nataša Raschi.  Écrire, traduire, peindre : Véronique Tadjo : Writing, Translating, Painting. Ed. Sarah Davies Cordova 和 Désiré Kabwe-Segatti. Paris : Les Cahiers de Présence Africaine, 2016 : 301-323.

艾米·里德. “A Daughter No 更多的: (National) Identity 和 the Adult Orphan in Loin de mon père by Véronique Tadjo.” Women’s Lives in Contemporary French 和 Francophone 文学. Ed. Florence Ramond Jurney 和 Karen McPherson. 帕尔格雷夫，麦克米伦，2016. Pp. 121-133.

艾米·里德. “Shades of Truth: Véronique Tadjo’s L’Ombre d’Imana: Voyages jusqu’au bout du Rw和a 和 Reine Pokou : Concerto pour un sacrifice.” 法语研究中的女性, Women in the Middle,” 特刊(2009):176-185.

艾米·里德. (2001). Resisting Documents: Huysmans’s Struggle to Represent Working-Class Women. 法国文学研究 28: 79-95.

艾米·里德. (2001). “The Textual Grounding of Québécoise Identity: Kamouraska 和 Le Premier Jardin.” In The Art 和 Genius of Anne Hébert. Ed. 詹尼斯黄金搭档. (pp. 273-284) Madison, NJ: Farleigh Dickinson University Press.

艾米·里德. (2000). “What’s so Troubling about the Woman behind the Mask?请检查一下这个范围? 作者:安妮·赫伯特.” 法语研究中的女性 8: 55-86.

“Resisting Documents: Huysmans’s Struggle to Represent Working-Class Women,” 法国文学研究,卷. Xxviii (2001): 79-95.

“What’s so Troubling about the Woman behind the Mask?: ​你看，这是你的薪金范围?安妮·赫伯特，”法语研究中的女性,卷. Viii (2000): 55-86.

“Amitié féminine, Naturalism’s blind spot: the case of the Goncourts’ ​芮妮Mauperin,​” 法语研究中的女性,卷. Vii (1999): 88-99.

“二: 苏厄斯·瓦塔德​​, Huysmans’s ‘experimental novel,’” 参与，第九卷(1997年秋):53-61.